Majesty up the street

Majestic Theater is one of the old Shanghai survivors. The outside of the building does not look much anymore. The façade has been not been cleaned or repainted for a long time, and various advertising and neon lights have been added to it without any concern to the original design. In contrast, the inside is a great example of Art Deco theatre architecture. The entrance hall is probably in the original state, with high windows and a grand staircase. The inside of the theater with large waves and parallel lines is also an art deco showcase. There is little decoration in it, apart from the architecture and it’s quite refreshing compared to other old buildings in Shanghai. In any case, I hope that nobody will try to “renovate” the interior by adding some mint green, peach yellow or bright blue to it like in other places.
World famous musicals have started to come to Shanghai few years ago. “Phantom of the Opera”, “The Lion King” and this year “Mamma Mia”, all of them stayed in town for one to two months. They all came to Shanghai Grand theater on People Square (in the middle of the horse race track of the old Shanghai), the pearl of the modern Shanghai. 42^nd street the musical probably had a lesser budget and a tighter production. Instead of a long stay in Shanghai, they went on a tour to Chinese major cities. Majestic theater was chosen for Shanghai and it was a great choice.
42^nd street is the stage adaptation of a famous musical movie from 1933. Although the play itself is from the 80’s, it was modeled after the 30’s and the result is amazing. The dancing, the singing and tap dancing create magic and transport us back to the 1930’s. It is a real Broadway show that is worth every penny of it.The show was great and the art deco location added a lot to the atmosphere. 1930’s décor were art deco styled and they fitted the Majestic theater perfectly. The magic of the show mixed with the magic of the old Shanghai. 42^nd street is also a simpler kind of show relying mostly on the dancers and the small orchestra traveling with them as opposed to a massive production. All of it made it a great night during and after the show. Even after leaving the theater, Bubbling Well road (today Nanjing Xi Lu) had the air of the old Shanghai for a moment, before getting in a taxi a going back to Frenchtown. If the taxi had been a 1930’s car the illusion would have been perfect.

The return of the Dauphine

Jianguo lu (ex Route Frelupt) is one of these small streets in Shanghai old French concession. Walking around it, one can admire an long line of old villas, sometimes interrupted by a small cubic building from the 1970's. A lot of these villas have not been touched for years, but slowly these old ladies get a face lift and recover their former glory.
I noticed one of those building, with street side Grey and dirty, unwelcoming walls topped with barb wires. My own apartment is not so far from it, so I cycle around it quite often. Looking between the gate doors, I could see that this military building was the Dauphine, one of the landmark of Leonard & Vesseyre, the architecture company that built most of the Art Deco buildings in the French Concession. The walls were Grey and looked uncared for. It is clear that the building was used by the Chinese army and that they did not care about it. The inside of the building was probably not renovated, just covered by layer of dirt but near to its original state. But due to it's military status, the Dauphine Building and its garden were out of touch for old Shanghai's amateurs like me.
I was cycling along one of those lazy Saturdays of summer, when I realized that the door to the Dauphine was open. As a matter of fact, they were doing work on the pavement in front of the building. I rushed home to take my camera backpack. Playing the innocent, I talked my way in pretending to just have a look. The building looks great again as the outside renovation has kept the old look. As opposed to other renovations of Art Deco building, the original shape has been kept untouched. Balconies have been left open and the original iron windows have been kept in place and not replaced by horrible plastic sliding windows. The tiling on the facade has also been kept in it's original state. The Dauphine looks just as it did 70 years ago. The outside is a great work of preservation.
I walked into the garden and then got through the entrance door. Inside view was far from thrilling, as the building interior has been gutted and replaced by modern imitation. Fake marble is everywhere and I am sure gold will be splashed all around. The work is far from finished and I only could stay there a few minutes before being asked to go... but it's clear that interior was not part of the preservation program. The return of the Dauphine is both a good and a bad surprise. It's a great outside renovation (apart from the garden that is getting its kitch touch) recreating the Grand Shanghai atmosphere from a building left in abandon. At the same time, the original interior is gone away as are all the furniture and fixtures, another post-modern minimalistic fake interior replacing the original art deco. I guess I should look at the bright picture and enjoy the bright new outside... and the fact that this great building was at least saved from destruction. Too bad for the interior though.

The Fall of Kashgar

Savage destruction of old cities is nothing unusual for people living in today's China. We all have witnessed the fast disappearance of the Hutongs of Beijing and of the Shikumens in Shanghai. These are the most well known examples of what has been happening in China since the 50's. Commercialization and economic opening have accelerated the process since the late 90's, fueled by the appetite of mega real estate companies. They eagerly transform century old ways of communication into "Prime real estate location" with great potential return. In the meantime, they forget that the value of the land was mostly created by the generations that walked these streets before, much more than by the cheaply built concrete stacks they added up on the top of it. This is clearly supported by all kind of authorities whose interest in the process varies from genuine (but sometimes misplaced) will to propel people into a brand new world... to more direct lucrative personal interest. Often both are closely intertwined, the former being an excellent excuse for the later.
Kashgar's case is even more touching, as one can easily feel the ideological touch behind it. Walking in the old city, you fell like you are somewhere between Tehran or Marrakesh, as far away from Beijing as you can be. The last remains of the century old city walls are used as junkyards and old tombs are being surrounded by concrete blocks. A Chinese city that looks totally out of place was created next to the old Kashgar. It is still possible to see really old remains but one really has to look for it out of the fast reducing central old quarter. Most of them are one or two floors buildings surrounded by concrete blocks with blue windows and white tiles... they are scheduled for destruction soon. The most ridiculous of it all is the Aldous Huxley's Brand New World style new city that is standing empty in the middle of the countryside. Designed to host people living in the old city, it remains unused as the inhabitants refuse to leave traditional habitat. The new argument to move them out is the scare of earthquake, somewhat reminding of the destruction of Bam in Iran in 2003. This is surely a real danger, but I somehow doubt whether the quickly built concrete blocks would resist any better to an earthquake that traditional constructions.
Fast destruction of Kashgar is such a remainder of the fast destruction of my beloved Shanghai. Replacing traditional houses with concrete blocks seems the instant solution to urbanization questions at each end of the country.